I think it is important to separate the artist's life from their works of art.Their lives are in some way immaterial to the enjoyment of their work, which even they themselves may not fully comprehend.
Also life is messy:
“You know how you’re always trying to get things to come out perfect in art because it’s real difficult in life"
Chekhov had such an influence on me as a young, hyper-insecure teen. Chekhov's craft is powerful and widely taught but it's his thematic elements that I really loved. he made a habit of setting up a deeply unlikeable character in the first act, slowly revealing their tragedies and traumas that led them to their insecurity, and the selective love they put into the world so by the final act you're weeping for someone who you scoffed at at first impression. for someone who was so convinced that people disliked or hated him, it was a real balm to know that there were those advocating for the strongest form of compassion as the default mode and not just an occasional, extraordinary act
Well, I can only quote Pushkin's letter to Vyazemsky (used Google AI to translate; in the letter Pushkin wrote about Lord Byron's lost personal memoirs):
"The crowd greedily reads confessions, memoirs, etc., because in its baseness it rejoices at the humiliation of the high, the weaknesses of the mighty. At the discovery of every vice it is in raptures: 'He is small like us, he is vile like us!' You lie, you scoundrels! He may be small and vile—but not like you—differently!"
It is a funny quote, and probably true. But I imagine that few people who are willing to read a serious article about Anton Chekhov these days actually have much interest in rejoicing in seeing his weaknesses.
I think it is important to separate the artist's life from their works of art.Their lives are in some way immaterial to the enjoyment of their work, which even they themselves may not fully comprehend.
Also life is messy:
“You know how you’re always trying to get things to come out perfect in art because it’s real difficult in life"
Woody Allen in Annie Hall
Chekhov had such an influence on me as a young, hyper-insecure teen. Chekhov's craft is powerful and widely taught but it's his thematic elements that I really loved. he made a habit of setting up a deeply unlikeable character in the first act, slowly revealing their tragedies and traumas that led them to their insecurity, and the selective love they put into the world so by the final act you're weeping for someone who you scoffed at at first impression. for someone who was so convinced that people disliked or hated him, it was a real balm to know that there were those advocating for the strongest form of compassion as the default mode and not just an occasional, extraordinary act
Well, I can only quote Pushkin's letter to Vyazemsky (used Google AI to translate; in the letter Pushkin wrote about Lord Byron's lost personal memoirs):
"The crowd greedily reads confessions, memoirs, etc., because in its baseness it rejoices at the humiliation of the high, the weaknesses of the mighty. At the discovery of every vice it is in raptures: 'He is small like us, he is vile like us!' You lie, you scoundrels! He may be small and vile—but not like you—differently!"
It is a funny quote, and probably true. But I imagine that few people who are willing to read a serious article about Anton Chekhov these days actually have much interest in rejoicing in seeing his weaknesses.
Do watch Romance with a double bass (1975) [0]. Wonderful, not very well-known short film adaptation of a Chekhov story featuring John Cleese.
[0] https://www.youtube.com/watch?v=t1U42izMOjs